01st Jun 1977
1977-06-01 The New Yorker Magazine

1977-06-01 The New Yorker Magazine

We have just had two enjoyable encounters with Garland Jeffreys, a thirty-four year old New York songwriter and performer. The first was at a concert in Alice Tully Hall, at Lincoln Center. We had heard his recordings -- particularly a song called "Wild in the Streets" -- but had never heard him perform. He came onstage wearing black pants and a tailored gray pin-striped jacket (he removed it during the performance), a black T-shirt, and a tan Stetson hat. He danced around the stage for about five minutes before singing anything. The audience stood up and cheered him. He danced on as if unconscious of the cheers. Then he started to sing. He sang songs -- all of them his own compositions -- about New York; about his mother and father, about interracial love, about growing up in New York, about his own efforts to succeed as a songwriter, about teenage rebellion, and about politics. He sang some of the songs to a rock-and-roll beat and some to a reggae beat. Whatever beat he used, he used it very well, and we came away from the concert feeling pleased and excited.

12th May 1977
1977-05-12 Circus Magazine

1977-05-12 Circus Magazine

Garland Jeffreys is a modern, idiomatic poet with an extraordinary ability to translate his poetry into rock & roll. His language is street sensitive: a rare blend of introspective soul and cool-edged observation. A vibrant performer and a veteran of the music-business wars, Jeffreys actually made his debut a few years ago on Atlantic, but many of the excellent songs on his first album were marred by a misplaced “folk” delivery. As Ghost Writer makes clear, this kid was born to rock & roll.

01st May 1977
1977-05-01 Crawdaddy

1977-05-01 Crawdaddy

Garland Jeffreys is a familiar figure on the streets of New York City and one step away from total obscurity everywhere else. A diminutive, occasionally dour man with a coffe-and-cream complexion and neat Afro, he’s spent the last five years fighting for survival in small East Coast clubs. A series of hapless and/or halfhearted record deals – depending on whom you talk to – did little to stem the tide of diminishing returns.

07th Apr 1977
1977-04-07 Ocala Star-Banner

1977-04-07 Ocala Star-Banner

A small package named Garland Jeffreys has made a very big album, and it's a good thing. Rock has needed a representative who's not championing white noise. Jeffreys' "Ghost Writer" (A&M Records) reflects the full spectrum of rhythms and emotions that his city, New York, has to offer, but transcends his personal experience to become a metaphor for living under any skyline.

01st Mar 1977
1977-03 The New York Times

1977-03 The New York Times

The title tune from Garland Jeffreys’ striking new album, "Ghost Writer," is full of haunting imagery. But one couplet stands out especially because Mr. Jeffreys thinks so much of it that he reprints it on the back of the record jacket:

28th Apr 1973
1973-04-28 Billboard Magazine

1973-04-28 Billboard Magazine

Concert review: Garland at Max's Kansas City April 1973.

06th May 1972
1972-05-06 Billboard Magazine

1972-05-06 Billboard Magazine

Billboard Reviews Garland's Concert @ Max's Kansas City in May 1972.

08th Mar 1972
1972-03-08 Billboard Magazine

1972-03-08 Billboard Magazine

Billboard review of Garland's March 1972 performance at Gaslight at the Au Go Go.

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